Edouard Vuillard
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November 11, 1868-June 21, 1940. French painter.

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Labille-Guiard, Adelaide
Portrait of Louise Elisabeth of France with her son

ID: 79950

Labille-Guiard, Adelaide Portrait of Louise Elisabeth of France with her son
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Labille-Guiard, Adelaide Portrait of Louise Elisabeth of France with her son


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Labille-Guiard, Adelaide

French Neoclassical Painter, 1749-1803 French painter. Labille-Guiard was a painter of the French nobility before the Revolution and survived to paint the citizens of the Directory. Emerging from the 18th-century tradition of powdered wigs and shimmering satins, she captured informal moments in the lives of her subjects, frequently depicting them interrupted from some pastime  Related Paintings of Labille-Guiard, Adelaide :. | Portrait of Madame Adelaide | Portrait of | Portrait of Louise Elisabeth of France with her son | Self-Portrait with Two Pupils | Portrait of |
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Philipp veit
1793 - 1877) was a German Romantic painter.German painter. The stepson, from 1804, of Friedrich von Schlegel, he studied (1808-11) at the Akademie in Dresden under Friedrich Matth?i (1777-1845) and Caspar David Friedrich. He showed talent in drawing but, on moving to Vienna in 1811, had difficulties with painting in oil, and turned to watercolour. Through Schlegel, Veit came to know many of the leading Romantics in Vienna, such as the poet and novelist Joseph von Eichendorff. In 1813-14 Veit took part in the campaign against Napoleon and returned briefly to Berlin. In 1815 he completed a votive picture, the Virgin with Christ and St John, for the church of St James in Heiligenstadt, Vienna (in situ), inspired by the work of Pietro Perugino and Raphael. In 1815 Veit left for Italy where he stayed until 1830. In Rome he joined the circle around Friedrich Overbeck and Peter Cornelius, becoming a leading Nazarene (see NAZARENES). With these artists he took part in providing fresco decorations (1816-17) for the Casa Bartholdy (now the Bibliotheca Hertziana): Veit painted the scene of Joseph and Potiphar's Wife and a decorative lunette allegory, the Seven Years of Plenty (both now Berlin, Staatl. Mussen, N.G.). In 1818 Veit was commissioned to paint the fresco of the Triumph of Religion in the Museo Chiaramonti in the Vatican, one of a series of murals recording the services of Pope Pius VII to science and art.
De Scott Evans
1847-1898 was an American artist who worked in Indiana, Ohio and New York. He was known for portraits, still lifes, landscapes and other genres. Born in Boston, Indiana to David S. and Nancy A. (Davenport) Evans. His father was a physician. Evans changed his signature to D. Scott Evans and later to De Scott Evans. He also signed paintings with the names David Scott, S. S. David, and Stanley S. David. He attended Miami University's preparatory school in the 1860s, studying with professor Adrian Beaugureau at Miami and later in Cincinnati. In 1873, he became head of the art department at Mount Union College and after several terms there, he moved to Cleveland to teach and to paint. From Cleveland, he moved to New York. He died along with 500 other passengers and crew, including his daughters when the French steamer La Bourgogne was rammed by a sailing ship in July 1898. Though he died at sea, there is a marker for him and his daughters in the Oxford Cemetery in Oxford, Ohio.
Joseph Badger
(ca.1707-1765) was a portrait artist in Boston, Massachusetts in the 18th-century. He painted some 80 portraits of merchants, businessmen, clergy, and other notables, and their wives and children. Badger was born in Charlestown, Massachusetts, to tailor Stephen Badger and Mercy Kettell. In 1731 he married Katharine Felch; they moved to Boston around 1733. He was a member of the Brattle Street Church. He "began his career as a house-painter and glazier, and ... throughout his life continued this work, besides painting signs, hatchments and other heraldic devices, in order to eke out a livelihood when orders for portraits slackened."






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